This piece was commissioned by the Los Angeles Children’s Chorus to promote one of their newest educational programs — First Experiences in Singing. We’re proud to be working with such wonderful organizations.
In April 2012, Hearken Creative was brought in to produce a video piece that would thank some major donors at Fuller Theological Seminary. Chris Min directed, and Loren A. Roberts produced, filmed, edited, and managed post-production.
Hearken Creative equipment used on the shoot and in post includes
- Canon EOS7d camera
- Zoom H4n field recorder
- Sennheiser G2 100-series wireless microphones
- Kessler Crane Pocket Dolly
- KinoFlo Diva fluorescent lighting
- Final Cut Pro system on multiple computers, with client preview on large-screen plasma monitors
One thing to note is that Hearken Creative has multiple back-up systems in place, so that no footage was lost, corrupted, or destroyed on this project (or any other recent projects). We use a dedicated NAS, directly-connected swappable hard drives, and cloud storage to ensure that no data is ever lost in our facility.
The client was very happy with the final product, telling us that there were “quite a few misty eyes” in the banquet hall as the piece ended. We are proud of the work we did on this video project.
Emily Lakdawalla, Mat Kaplan, and I arrived at JPL early this morning to do a couple of remote spots for Planetary Radio. With the exception of my camera needing repair (and the ensuing long drive down to Canon Repair in Irvine), it was a great shoot. And lots of fun to film at JPL…
I’m working on getting some new stuff onto the blog, ‘cuz I’ve been really busy lately with some beautiful projects. But I just can’t get enough of this woman’s voice, and I got to film her last Fall. Check it out!
In the next several days, I’ll post the newest issue of the magazine that I art direct, a few photo shoots that I have done, as well as some wonderful film work, in Washington, D.C., in Phoenix, and here in Los Angeles.
We filmed this last week in West Covina. Joe (president of Asian Access) is so smooth on camera. We interviewed him for 45 minutes for another project, and then he did just a few takes of this quick “thank you” before I had to run to another shoot in Downtown L.A.
Great time. Good video, good audio. Great message.
I have only been back from my trip a few weeks, but I’m missing Japan already. So I broke out some Matcha Green Tea-flavored Kit Kat candies to take me back.
Candy is all over the place in Japan. Perhaps that is because omiyage are available in shops in every train station. Omiyage is a type of gift that you give someone — a souvenir from far-away lands — that you bring after you have been traveling. Omiyage oftentimes (I believe) has the connotation of being bought at the last minute, or even once you got home. But the sentiment is important, so they are bought often. And candy from different regions of the world is a popular gift. The variety of candy in Japan is much greater than that in the States — lots of different flavors, and some more (or much less) sweet than candy that I am used to. Really fun.
I really enjoyed visiting with pastors, missionaries, and community leaders who are working hard to bring hope and healing to some pretty devastated communities.
Late last week we had our first translating session — it’s going to take a while to translate all of the interviews. I’ll post links as they go live.
Back before Fuller Theological Seminary had even hired any staff for this new venture, the Lloyd Ogilivie Institute of Preaching needed a multichannel piece that would bring in relevant candidates for the new chair of the program. So it needed to be high-end, concise, fast, and under-budget. We designed three pieces: a magazine ad, a direct-mail piece, and a (mini) website. In addition, we filmed several people on campus, all talking about what the Institute was going to do.
All design and filming (and subsequent printing and DVD replication) was turned around within one month, and perfectly on budget. The campaign was successful: Mark Labberton is now the chair of the academic program, and has successfully moved it from infancy to relevancy across the campus.
Ryan Scott Oliver, PMTP‘s creative director, wrote a brand new musical for the students who participated in the Summer 2011 session of the Pasadena Musical Theatre Program. I am a member of the board of directors of this fantastic program. We now have a partnership with the Pasadena Playhouse, and are looking to expand even further into the community.
But back to the musical, Jasper in Deadland. I filmed a bunch of the shows and rehearsals, and mixed the live sound off-the-board for this recording. It gives a good glimpse of what the students got to experience over the summer: originating roles in a fantastic new musical, and getting to work with musical theatre professionals — directors, choreographers, lighting and sound and costume and set designers, etc.
We recorded our live show at the Los Angeles Sheriff’s Department’s annual Fun In The Sun Chili Cookoff in October 2011. Straight off the board, with some compression/limiting done after the fact. Sounds great. And some really nice photography by Katie Macquarrie to show off the band.
We had a great time. Check out Tribute for more information. Maybe you want to book us for your next event!
Two quick video projects that I had the pleasure of working on over the last week.
First up was a quick web video post for the president of Asian Access. He wanted to say “thank you” to the many people who have already donated money to the relief efforts going on in northern Japan after the Sendai earthquake in March 2011. So I raced out to his office and filmed him:
TECHNICAL DETAILS: This was filmed with the Canon EOS 7D, using the “kit lens” — an 28-135mm. Sound was handled using a Zoom H4n with an Audio Technica AT897 microphone. Footage was transcoded to ProRes LT using the wonderful 5DtoRGB app with a command-line batch processor provided by French video production company NoSide. The whole thing was sync’d and edited in Final Cut Pro, and exported to H.264 via Compressor.
I did a 12-part videolog series with Nimbus and this same composer back in 2008, and they are back with a new composition that Nimbus will premiere. We’re in a rush, so there’s only one video, and I shot a rehearsal for a few hours this week, followed by a very brief interview. But the piece will be instrumental in advertising the concert:
TECHNICAL DETAILS: Much the same as the previous piece, except I used a host of lenses: a 50mm f1.4 prime (I used this a lot because the room was pretty dark, but I didn’t want to raise my ISO too much and get grainy footage), a Canon EF-S 18-55mm, and a Canon EF-S 55-250mm. Sound was captured 4-channel using the Zoom’s onboard mics plus the AT897 and a Sennheiser lav (but the interview was done with the AT897 — I love the sound of that mic compared to a lav).
All-in-all, a pretty busy but fun week of budget-conscious filmmaking. Every project that we do gets easier, more fun, and give us invaluable experience for the next one.
Today I’ll be taking my equipment and doing an outdoor photoshoot for a band I’m in (stills, not video). Can’t wait to share those…