The Baseball Reliquary held its 21st annual Shrine of the Eternals induction ceremony on July 14, 2019 at the Pasadena Central Library, Pasadena, California. Honorees included the 2019 Hilda Award recipient Ralph Carhart, and the 2019 Tony Salin Memorial Award recipient Bob Busser. Chris Epting delivered the Keynote Address. The inductees were Billy Beane (accepted by Zak Basch), Lisa Fernandez, and J.R. Richard.
Two days later, Loren Roberts and Hearken Creative had already edited the entire event, and posted it to YouTube. Editing and posting quickly makes for better fan/user engagement, and the video has already been watched dozens of times in the past few weeks.
Do you need video (production and post-production) for your event or marketing campaign? Call us now.
We have a multi-year relationship with The Baseball Reliquary, a sort of “people’s Baseball Hall of Fame.” Not only do we film many of their events (such as the one below), we set up their YouTube channel and have begun populating it with archival footage that the Reliquary has provided to us. Pretty fun, right?
Check out the video, and enjoy some of most fantastic baseball music that you have ever heard, courtesy of 2018 inductee Nancy Faust!
Loren A. Roberts shot the “hero” studio photography for the film’s key art
When coming to Hearken Creative, director Jon Leonoudakis knew the breadth of skills that were available from us: Jon has collaborated with us on two previous film projects — Not Exactly Cooperstown (camera) and The Day the World Series Stopped (camera, packaging, website). Jon’s passion for baseball is infectious, and we have found ourselves with a new respect for the game — even hitting up some major and minor league games recently! Jon’s professionalism and passion has paid off: both previous films have been recognized worldwide in film festivals (and Not Exactly Cooperstown has even been screened at the Baseball Hall of Fame).
We love working on projects like this: where quality and passion come together to make something truly unique. We congratulate Jon on his newest release, and look forward to the next project that we get to work on with him!
A while back, Christopher Min and I were asked to create a 10-year anniversary film for The Brehm Center for Worship, Theology, and the Arts at Fuller Theological Seminary. The film was to be shown at a gala reception honoring the founding donors for the Center, Bill & Dee Brehm. We wanted to show the rich diversity of graduates the program was raising over the course of the first decade.
Chris directed, and Loren Roberts/Hearken Creative provided all the equipment, shooting expertise, and editing for the final video.
The result was a smashing success at the event — one attendee said it was a “moving tribute” to the Brehms and the Center. The only issue we had was cutting down the incredible footage we got with the graduates. I think our first edit clocked in at almost 16 minutes; the final edit is a still-long (but beautiful) nine minutes.
HOW CAN WE HELP YOU?
We have done this kind of work for non-profit and for-profit companies time and again. How can we help your organization?
The Los Angeles Children’s Chorus asked me to create some short introductory videos on each of their choirs. Previously I had produced one for their First Experiences in Singing class [see my eailer post]. These new videos required many hours of filming rehearsals and concerts for all six choirs, as well as music theory classes. Then we interviewed all the different directors to get their take on each chorus. Finally, we edited each piece together, trying to give new parents and members of the ensemble a sense of each chorus’ identity. And we attempted to keep them all under four minutes.
I’m excited about how these will be used to further the educational and artistic mission of the L.A. Children’s Chorus.
Villa Esperanza is a ground-breaking school here in Pasadena, CA that serves kids and adults with developmental disabilities. The staff is amazing, the results are astounding, and we got to tell one small story recently. Take a look:
The school has launched a capital campaign that will build a new school facility for the numerous programs that they run, and this video was produced in concert with the campaign launch. We hope that the video will help them raise the money needed to build the new school.
As always, we were able to assemble a team of incredible people to bring this video to completion. HCS principal Loren A. Roberts produced, directed, and filmed (a little) and did sound. Greg King filmed/directed and edited. Roberto San Luis brought HCS and Villa together, and provided the concept and script for the video. On The Mark Rentals provided some gear that HCS didn’t already have. Vanessa Voors and Michelle Cox at Villa Esperanza were instrumental in making the production run smoothly. Most importantly, Jamie and his father were patient, enthusiastic cheerleaders for Villa — we couldn’t have made this video without them and the wonderful faculty at Villa.
Can we do this for you? Get in touch with Hearken Creative if you have a story you need told on film — or through e-mail, or on paper, on a website — whatever the project, we have a solution that will make you look great.
I recently had the privilege of working with best-selling author Mark Baker, who runs the La Vie Counseling Centers in Pasadena and Santa Monica. Mark wanted to start sharing some of his insights to a larger audience through short videos that took a single idea from his books and “put a face to it.” Having done countless large-format conferences and training sessions, Mark was completely at ease in front of the camera, and extremely well-prepared.
Because much of his audience is in Brazil, we also close-captioned all of these videos for a Portuguese-speaking audience. Mark’s found an extremely competent translator in Brazil who forwarded transcripts of each video as we produced them.
This is the power of video: getting concepts delivered to people who are “visual learners.” This project embodies much of what can be done on a relatively-inexpensive budget: this was all shot in one day, on two cameras, and has all been accomplished in roughly six weeks (it could have been faster, but we felt that “trickling” the videos out would get us more bang for the buck).
If you want to do something like this for you company, contact me now, and we can discuss how to utilize the power of YouTube for your brand.
In March 2011, Japan experienced one of the worst disasters in modern history: an earthquake and tsunami that ravaged the Northeastern coast of Japan. One year later, a team traveled to Japan to observe the relief work that Asian Access pastors were leading. Now, another year has passed, and we are able to report on work that has been done over the past two years. This is the first of several (hopefully) videos that report on the use of funds donated to earthquake/tsunami relief through Asian Access:
The team consisted of Loren A. Roberts from Hearken Creative on camera and editing, Joshua Clayton on camera, Jeff Johnston from Asian Access as producer, and Takeshi Takazawa as liaison, interpreter, and all-around wonderful travel leader.
My new band, Doobies Inc., walked into SIR Studios in mid-December to film and record a live demo. We tracked to ProTools and filmed 3 cameras (2 roving and 1 stationary). Then I took all of the tracks and footage back to my studio to mixdown and edit. For a one-night session, these came out really well, and we hope to get quite a bit of work from this promotional video.
I truly enjoy recording and filming live events. One of my favorites was Jennifer Robin’s CD release party for her album “The Bird and The Beatles” found here on YouTube:
I also have filmed live concert footage that will be found in the upcoming film “Praying the Hours” by Lauralee Farrer. These types of events are difficult to capture multitrack — so that one can mix the music later on — but ultimately exceptionally rewarding, because you get both the immediacy and thrill of the live event, as well as the incredible sound of a professionally mixed and produced recording.