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	<title>Hearken Creative Services&#187; sounds</title>
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	<link>http://www.hearkencreative.com</link>
	<description>design, post production, audio production, creative services</description>
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		<title>Sounds of the ’80s</title>
		<link>http://www.hearkencreative.com/2009/04/19/sounds-of-the-%e2%80%9980s/</link>
		<comments>http://www.hearkencreative.com/2009/04/19/sounds-of-the-%e2%80%9980s/#comments</comments>
		<pubDate>Sun, 19 Apr 2009 17:22:55 +0000</pubDate>
		<dc:creator>Loren A. Roberts</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[post production for film and video]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sounds]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[synthesizer]]></category>

		<guid isPermaLink="false">http://www.hearkencreative.com/?p=389</guid>
		<description><![CDATA[If you were making music in the ’80s (I had a 4-track reel-to-reel in my bedroom with one Radio Shack mic, a Roland keyboard, and a Roland drum machine) you will recognize almost all of these sounds immediately. Thanks to Tara Busch on Twitter for pointing me to this wonderful collection of overused sounds. It&#8217;s [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignright" style="margin-left: 6px; margin-right: 6px;" src="http://www.artoshirt.net/catalog/piano.jpg" alt="" width="210" height="207" />If you were making music in the ’80s (I had a 4-track reel-to-reel in my bedroom with one Radio Shack mic, a Roland keyboard, and a Roland drum machine) you will recognize almost <a title="Way too famous sounds" href="http://www.synthmania.com/Famous%20Sounds.htm">all of these sounds</a> immediately. Thanks to <a title="Tara Busch on Twitter" href="http://twitter.com/tarabusch" target="_blank">Tara Busch</a> on Twitter for pointing me to this wonderful collection of overused sounds.</p>
<p>It&#8217;s interesting: even though the sounds/patches/loops are all horribly overused, I find that they still work. Think about Phil Collins’ gated drum sounds (credited to Peter Gabriel for originating the sound): “Take A Look at Me Now” is beautiful pop ballad fodder, and it resonates with people, or else it wouldn’t have been a top-ten hit. So of course people are going to imitate that sound.</p>
<p>Yesterday in the studio we had a discussion about whether it was good to “surprise” people with the songwriting and sounds, or conform to people’s expectations in pop music. Since we are dealing with pop/country/rock, we decided to conform to expectations. We cut a 2/4 measure out of the chorus, opting to stay in 4/4 throughout the whole song. Was that the right decision? I don&#8217;t know, but I know what I hear on the radio, and we’re recording both for the joy of music <em>as well as</em> the possibility of making some money; and what makes money is conforming to people’s expectations.</p>
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