Blog, business, film/video, graphic design, photography, portfolio, post production for film and video

New indie movie released with HCS support

I did mention that we do movies, right? Hearken Creative supported the release of Hano! A Century In The Bleachers on so many different levels:

  • Loren A. Roberts shot some of the interviews for the film
  • HCS designed the e-commerce website for the film
  • HCS designed the DVD packaging and marketing graphics
  • Loren A. Roberts shot the “hero” studio photography for the film’s key art

HanoDoc-DVD-hero-box-final-733x1000When coming to Hearken Creative, director Jon Leonoudakis knew the breadth of skills that were available from us: Jon has collaborated with us on two previous film projects — Not Exactly Cooperstown (camera) and The Day the World Series Stopped (camera, packaging, website). Jon’s passion for baseball is infectious, and we have found ourselves with a new respect for the game — even hitting up some major and minor league games recently! Jon’s professionalism and passion has paid off: both previous films have been recognized worldwide in film festivals (and Not Exactly Cooperstown has even been screened at the Baseball Hall of Fame).

We love working on projects like this: where quality and passion come together to make something truly unique. We congratulate Jon on his newest release, and look forward to the next project that we get to work on with him!

Blog, business, photography, portfolio, sound

Event Support for Successful Fundraiser

Hearken Creative provided lights, sound, and video support for the Children’s Advocacy Center’s first ever (and hopefully annual) fundraising gala on the gorgeous grounds of the Masonic Home in Covina, California on October 12, 2014.

We worked with the organization, as well as rental companies, the featured band, and on-site personnel to make sure that everything ran smoothly — from power concerns, to the ability to hobnob over the live music, to making every word intelligible — from honorees and speakers. We received numerous accolades from event planners and the 200+ attendees, stating that this was the smoothest and best-sounding event they had attended.

Photos from the event are below. The young (but very good) band “Them Kool Kats” [ http://www.themkoolkats.com/ ] was the featured entertainment. Hearken Creative provided them with onstage monitors so they could hear everything, and they had a great time working the crowd.

CAC Event 2014 - crowd and silent auction items

CAC Event 2014 - Them Kool Kats performing

CAC Event 2014 - Them Kool Kats performing

CAC Event 2014 - Them Kool Kats performing

CAC Event 2014 - Them Kool Kats performing

CAC Event 2014 - Them Kool Kats performing

CAC Event 2014 - crowd seated for dinner

CAC Event 2014 - Them Kool Kats performing

It’s remarkable what Hearken Creative can accomplish — from branding, to websites, to video, to event support (sound and lighting). Why don’t you give us a call for your next project and see how Hearken Creative can help you?

Blog, business, film/video, Pasadena and local, post production for film and video, sound

Fantastic Gala film produced by Hearken Creative

Screen Shot 2014-09-20 at 4.24.00 PMBACKSTORY

A while back, Christopher Min and I were asked to create a 10-year anniversary film for The Brehm Center for Worship, Theology, and the Arts at Fuller Theological Seminary. The film was to be shown at a gala reception honoring the founding donors for the Center, Bill & Dee Brehm. We wanted to show the rich diversity of graduates the program was raising over the course of the first decade.

Chris directed, and Loren Roberts/Hearken Creative provided all the equipment, shooting expertise, and editing for the final video.

SUCCESS STORY

The result was a smashing success at the event — one attendee said it was a “moving tribute” to the Brehms and the Center. The only issue we had was cutting down the incredible footage we got with the graduates. I think our first edit clocked in at almost 16 minutes; the final edit is a still-long (but beautiful) nine minutes.

HOW CAN WE HELP YOU?

We have done this kind of work for non-profit and for-profit companies time and again. How can we help your organization?

Blog, film/video, Pasadena and local, portfolio, post production for film and video, sound

Six (yes, six) new videos released today

The Los Angeles Children’s Chorus asked me to create some short introductory videos on each of their choirs. Previously I had produced one for their First Experiences in Singing class [see my eailer post]. These new videos required many hours of filming rehearsals and concerts for all six choirs, as well as music theory classes. Then we interviewed all the different directors to get their take on each chorus. Finally, we edited each piece together, trying to give new parents and members of the ensemble a sense of each chorus’ identity. And we attempted to keep them all under four minutes.

chamber-screen

I’m excited about how these will be used to further the educational and artistic mission of the L.A. Children’s Chorus.

Preparatory Choir

Apprentice Choir

 Intermediate Choir

Concert Choir

Chamber Singers

Young Men’s Ensemble

 

Blog, business, film/video, post production for film and video, sound

Another new promotional video by HCS

My new band, Doobies Inc., walked into SIR Studios in mid-December to film and record a live demo. We tracked to ProTools and filmed 3 cameras (2 roving and 1 stationary). Then I took all of the tracks and footage back to my studio to mixdown and edit. For a one-night session, these came out really well, and we hope to get quite a bit of work from this promotional video.

I truly enjoy recording and filming live events. One of my favorites was Jennifer Robin’s CD release party for her album “The Bird and The Beatles” found here on YouTube:

I also have filmed live concert footage that will be found in the upcoming film “Praying the Hours” by Lauralee Farrer. These types of events are difficult to capture multitrack — so that one can mix the music later on — but ultimately exceptionally rewarding, because you get both the immediacy and thrill of the live event, as well as the incredible sound of a professionally mixed and produced recording.

Blog, business, film/video, post production for film and video, sound

New promotional video from Hearken Creative

This piece was commissioned by the Los Angeles Children’s Chorus to promote one of their newest educational programs — First Experiences in Singing. We’re proud to be working with such wonderful organizations.

http://youtu.be/TacItRy0Gbs

Blog, film/video, photography, portfolio, post production for film and video, sound

Corporate Video piece

In April 2012, Hearken Creative was brought in to produce a video piece that would thank some major donors at Fuller Theological Seminary. Chris Min directed, and Loren A. Roberts produced, filmed, edited, and managed post-production.

http://www.youtube.com/watch?v=rYlk3UT7rvM

Hearken Creative equipment used on the shoot and in post includes

  • Canon EOS7d camera
  • Zoom H4n field recorder
  • Sennheiser G2 100-series wireless microphones
  • Kessler Crane Pocket Dolly
  • KinoFlo Diva fluorescent lighting
  • Final Cut Pro system on multiple computers, with client preview on large-screen plasma monitors

One thing to note is that Hearken Creative has multiple back-up systems in place, so that no footage was lost, corrupted, or destroyed on this project (or any other recent projects). We use a dedicated NAS, directly-connected swappable hard drives, and cloud storage to ensure that no data is ever lost in our facility.

The client was very happy with the final product, telling us that there were “quite a few misty eyes” in the banquet hall as the piece ended. We are proud of the work we did on this video project.

Blog, business, film/video, portfolio, post production for film and video, sound

New short YouTube videos on the Japanese tsunami and rebuilding effort

We’re still working on the main piece — a longer video with lots of interviews in Japanese that need to be translated and subtitled in English for the North American viewers. But today (March 11) is the one-year anniversary of the earthquake and tsunami in NE Japan, so we rushed to get just a few videos posted to commemorate the horrors and to point towards the hope and vision that many Japanese pastors have for their country in the new reality that is Japan.

First up is a prayer from Mori Sensei, a pastor living 30 minutes away from the Fukushima Daiichi Nuclear Power Plant. His church wants to help rebuild an entire seaside community, hopefully relocating just a half-mile off the beach up into the hills, so that they can still have their livelihood, but be protected from the possibility of another tsunami:

The next video is a set of reflections from Eric Takamoto, an Asian Access missionary from the Kobe area who was one of the first responders up into the destroyed town of Ishinomaki. Eric’s family is going to relocate to Ishinomaki because they feel strongly that the rebuilding work is going to take time and committed effort, and they want to be part of that long-term process. Eric’s passion for the people he ministers to inspires me:

Both of these pieces were filmed in January 2012 as part of my one-week trip to NE Japan for Hearken Creative client Asian Access. I was accompanied on the trip by Asian Access’ VP for Communications Jeff Johnston, good friend and colleague Joshua Clayton, Asian Access’ VP for Strategic Engagement Takeshi Takazawa, as well as translation and hosting and friendship by Asian Access’ Jeffrey Sonnenberg (oh, and new friend Mike McKay from Cypress Church here in California was with us for part of the week).

Video was shot with A2’s Sony HD Handycam and my Canon EOS 7D, with color correction done in Final Cut Pro with additional color work by Red Giant’s Mojo. Audio was recorded through my Zoom H4N using Sennheiser G2 wireless mics and an Audio Technica AT897. All data cards (CF for video, SD for audio) were captured onsite and backed up to multiple G-Raid Mini hard drives for redundant transport back to the U.S.

Blog, business, film/video, portfolio, post production for film and video, sound

Another nice quick video for a client

We filmed this last week in West Covina. Joe (president of Asian Access) is so smooth on camera. We interviewed him for 45 minutes for another project, and then he did just a few takes of this quick “thank you” before I had to run to another shoot in Downtown L.A.

Great time. Good video, good audio. Great message.

Blog, business, film/video, post production for film and video, sound

Just returned from week-long trip filming in Japan

Building a new community center in Sendai

I just returned from a week-long trip filming relief and re-building work on the eastern coast of Japan. We traveled well over a thousand miles to capture stories of churches working amongst those who have been displaced by the March 2011 earthquake and tsunami. This trip was part of an ongoing video project for longtime client Asian Access. Previous trips with them have taken me to Sri Lanka (after the 2004 tsunami), Mongolia, Cambodia, and other countries throughout Asia.

Interviewing a pastor surrounded by donations for tsunami victims

Here’s a breakdown of our gear:

  • Sony Handycam
  • Canon EOS-7D with 4 batteries and 3 lenses (18-55mm, 55-200mm, and a 50mm fast lens)
  • Zoom H4N for audio recording
  • Sennheiser G2 wireless microphone
  • Audio-Technica AT897 shotgun microphone
  • Manfrotto tripods
  • Kessler-Crane Philip Bloom Pocket Dolly (4-ft. slider)
  • Lots of Compact Flash and SDHC cards
  • MacBookPro laptop
  • G-Raid Mini 750gb hard drive

Plots still being cleared right next to brand-new houses

I could have used more than one G-Raid. As it was, I had one set of captures on the laptop and one set on the G-Raid. I think I should have had both on separate external drives (I started to run out of space on the laptop’s internal drive).

The Kessler-Crane slider was great for getting really smooth motion for b-roll, and even during some of the interviews. I was worried that it was going to be a pain to carry around and get through security at airports, but it wasn’t (and it’s still under the weight restrictions, so bringing it along didn’t cost me any extra).

The water in some places has not sunk back to pre-tsunami levels

The rest of the team was Joshua Clayton, Jeff Johnston (of Asian Access), and Takeshi Takazawa (also of Asian Access). We were a good team — we have all worked together before — so we got a lot of footage and some great interviews.

One issue that came up very quickly was the challenge of language. I felt that we would honor the interview subjects best by conducting the entire interview in Japanese, and then figure out what they discussed later. I don’t understand Japanese, so I had to get a synopsis of the interview from Takeshi before determining what b-roll would be needed to tell the story for each interview. We’ll see how well that went as I cut the pieces together over the next week or so.

Joshua capturing a small shrine to honor those who died in the tsunami

But all in all a very productive trip. I was happy with the portability of my kit (both audio and video) and how well everything worked. Can’t wait to show you all the footage as it gets finished…

(photos by Joshua Clayton & Loren A. Roberts)