We keep pressing forward on many projects simultaneously. The newest video clip is the first of a series that we recorded and filmed in my studio for singer/songwriter Kendra Celise.
Kendra sent a few sample YouTube videos so we could get a feel for what she wanted, and we spent the better part of a day filming her performances. A new camera — the Sony PXW-W70 — was used for this shoot, as well as some of our amazing Michael Joly-modified microphones. The camera was mounted on a mini-jib so that we could move around smoothly throughout the song.
The rest of the videos will drop over the coming weeks. We had fun on this project, and believe the final product will help Kendra market her new EP successfully. Congrats to Kendra!
Hearken Creative provided lights, sound, and video support for the Children’s Advocacy Center’s first ever (and hopefully annual) fundraising gala on the gorgeous grounds of the Masonic Home in Covina, California on October 12, 2014.
We worked with the organization, as well as rental companies, the featured band, and on-site personnel to make sure that everything ran smoothly — from power concerns, to the ability to hobnob over the live music, to making every word intelligible — from honorees and speakers. We received numerous accolades from event planners and the 200+ attendees, stating that this was the smoothest and best-sounding event they had attended.
Photos from the event are below. The young (but very good) band “Them Kool Kats” [ http://www.themkoolkats.com/ ] was the featured entertainment. Hearken Creative provided them with onstage monitors so they could hear everything, and they had a great time working the crowd.
It’s remarkable what Hearken Creative can accomplish — from branding, to websites, to video, to event support (sound and lighting). Why don’t you give us a call for your next project and see how Hearken Creative can help you?
The Los Angeles Children’s Chorus asked me to create some short introductory videos on each of their choirs. Previously I had produced one for their First Experiences in Singing class [see my eailer post]. These new videos required many hours of filming rehearsals and concerts for all six choirs, as well as music theory classes. Then we interviewed all the different directors to get their take on each chorus. Finally, we edited each piece together, trying to give new parents and members of the ensemble a sense of each chorus’ identity. And we attempted to keep them all under four minutes.
I’m excited about how these will be used to further the educational and artistic mission of the L.A. Children’s Chorus.
My new band, Doobies Inc., walked into SIR Studios in mid-December to film and record a live demo. We tracked to ProTools and filmed 3 cameras (2 roving and 1 stationary). Then I took all of the tracks and footage back to my studio to mixdown and edit. For a one-night session, these came out really well, and we hope to get quite a bit of work from this promotional video.
I truly enjoy recording and filming live events. One of my favorites was Jennifer Robin’s CD release party for her album “The Bird and The Beatles” found here on YouTube:
I also have filmed live concert footage that will be found in the upcoming film “Praying the Hours” by Lauralee Farrer. These types of events are difficult to capture multitrack — so that one can mix the music later on — but ultimately exceptionally rewarding, because you get both the immediacy and thrill of the live event, as well as the incredible sound of a professionally mixed and produced recording.
The Super Bowl is now over, but now we get to dissect everything that happened around the big event (I’m not a Monday Morning Quarterback, so I won’t get into analyzing the game, even though it had its exciting moments).
We recorded our live show at the Los Angeles Sheriff’s Department’s annual Fun In The Sun Chili Cookoff in October 2011. Straight off the board, with some compression/limiting done after the fact. Sounds great. And some really nice photography by Katie Macquarrie to show off the band.
We had a great time. Check out Tribute for more information. Maybe you want to book us for your next event!
credits: Loren A. Roberts, producer, ProTools recordist and editor, film editor, b-camera operator; Jordan McMahon, a-camera operator
Jennifer Robin is a fantastic jazz artist that I have known for almost 20 years, but have never gotten to work with before. That opportunity finally came when she announced a CD release party for August 2011. I stepped in to both run sound for the show and assemble some live footage for an electronic press kit. All mics were mine — we ran 12 channels directly into my ProTools rig, and then straight out to the board for live mixing. Jordan and I both brought cameras, and later I mixed down the live recording and married it up with the footage as well as some interview clips that I filmed a few days after the concert.
I love how much of her personality I was able to capture, both in the concert and in the interviews. Jennifer deals with life with a thoughtful but in-the-moment grace that is hard to find in artists, and I believe that comes through loud and clear here. And she surrounds herself with wonderful people, too: the whole band was game for trying things, but gracious and helpful as well.
In all, a good time putting together a powerful package that I hope helps her sell some more albums. And a good piece showing what Hearken Creative can do on short notice…
Wow, I had a blast today. We are currently working on a CD packaging design for Shakedown Mambo’s upcoming album, and to support that effort we shot some photos of the duo — Rick and Phil. Some iconic shots here (click on any image to get the larger sized lightbox):
Can’t wait to show you the rest of the CD package, as soon as it’s done. These guys sound as good as they look!
I tried some things on this shoot that I ultimately regretted, but on other elements of the shoot I’m extremely happy. Running four-channel audio recording through the Zoom H4N is a breeze, and gave me lots of options for incredible audio. I’m finding that I like wireless mics less and less, so I used only studio-quality mics and shotgun mics for this shoot (all wired directly to the Zoom). The viola sounds superb, and the interview worked beautifully with a shotgun on a boom stand.
The things I’m less happy about are in the video; specifically two things:
Halfway through the shoot I changed white balance settings. I should have just left it the same as when I started, because it would have been easier to match everything together in post (unless we were changing locations, which we did not for this shoot).
I wanted to minimize the effects of the “rolling shutter” issue (because his bow was moving so fast) by filming everything at 60 frames a second. Bad idea. First, it didn’t eliminate the rolling shutter. Second, I was eating up card space like crazy. Third, I conformed to 24 frames, so it looks a little jerky. Fourth, the 7D won’t record at full 1920×1080 HD when shooting at 60 fps, so I don’t have as many pixels as when shooting at 24 frames. But hey, it was a good idea. And now I know.
We’ll be filming the real concert coming up this weekend. I’ll be excited to show you footage from that. Or, you could just come and listen to some great (and very unique) music: here’s the information page at Nimbus’ website (which Hearken Creative also designed).
The Tribute Band isn’t part of my day job, but we’re starting to book gigs for money [!], so it is tangentially part of my business. In addition, I got to use the Canon 7D and the Zoom H4N on this wonderful gig we did out in Van Nuys a few weeks ago.
And boy is it loads of fun to play great rock music with a bunch of awesome people.