Finally!
Hearken Creative now is shooting in HD on a Canon 7d camera. We have several lenses and filters, and can make your next project shine, whether for the big screen, the small screen, or even a web screen.
Additionally, not only can we do full-blown ProTools audio for location sound, but we now have a small Zoom H4N 4-channel audio recorder for interviews, small cast shoots, and field recording. Put the two pieces together, and you have a wonderfully small setup for mobile filming!
Call us to discuss your next video/film project.
http://www.vimeo.com/11932030
The Canon 5D and 7D are all over the place now. This is nothing new or groundbreaking, but it clearly shows that, when used well, these HDSLR cameras can be used for newsgathering and documentaries as well as scripted/planned shoots. Very nicely done.
This is incredible. Just announced at NAB: A Da Vinci Resolve system will now run on a Mac for $995. You still need a control surface, and it’s probably a somewhat stripped-down version — simply because you can only run one processer with it, but here’s the thing: incredibly powerful color correction is now possible for smaller and smaller boutique houses. If Hearken Creative grows a bit, I could foresee starting out with a Mac-based system and then move quickly to the Linux GPU cards via high speed InfiniBand connections.
The Da Vinci system is an industry-leading high-end color correction system for film and digital post production work. Da Vinci was purchased by BlackMagic Design in September 2009, and has been working to re-frame the playing field for color correction software. This will affect Apple’s Color as well as Avid’s built-in color correction (such as in Adrenaline).
The price of all of this stuff just keeps coming down further and further…
Yesterday I attended a half-day session arranged by The Association on the Canon DSLR cameras. Snehal Patel led the workshop of twelve people. I think I was the only one who wasn’t working in Hollywood, and we had quite a few veteran members of the ASC there as well. The industry is changing significantly. From the tech and post side of it, I think I have an incredible grasp on the realities of shooting with these new DSLRs. Now I want to get better on the production side as well.
One interesting thing about the day was a discussion by the DPs in the room concerning the disappointing performance of the RED One camera in real-world situations. Specifically, the cost of the camera, with all of the bells and whistles, is much higher than everyone expects (still much lower than traditional cameras, but the hype doesn’t match with reality). Secondly, the processor is just not robust enough to handle low light well; in fact, during shoots, the RED consistently requires more lighting (which equals more time and more money spent) than traditional cameras — DPs were complaining that you had to stick light everywhere, even in shadows, to make sure something showed up in the footage. So I’m leaning much less towards the RED right now, and seriously getting closer to either the 5D or the 7D, which excels in low-light situations. (I’m interested to see how the new RED cameras fare, but I’m not interested in purchasing any of them, either.)
Another illuminating conversation was how the major studios are attempting to cut down on technical staff (DITs, digital managers) in an attempt to save money on set. It’s going to backfire, but I’ll talk about that in a later post.
Canon has taken the pain (or most of it, anyways) out of bringing footage into Final Cut Pro from their DSLR cameras with a new FCP plugin. The new plugin allows us to ingest footage directly into Apple’s ProRes 422 code, and adds timecode based on the camera’s date and time stamp (a workaround to actually having real timecode, but it’ll work for now).
This, along with the firmware update that was released recently, brings us closer to truly being able to use the Canon DSLRs in a professional environment, which is what I want to do. I’m considering skipping the 7D entirely and simply saving up for a 5D — which will fit my business much better than the 7D anyways.
Wow, it’s hard to get a hold on where the economy is, for entertainment companies both big and small. The L.A. Times has a story on how the toy industry is looking to large blockbuster films like Transformers to drive more and more toy sales, especially in the off-peak summer months. A story about the success of the movie industry? But a day earlier, the Times looked at how smaller production and support companies were being squeezed by runaway production — filming moving to cheaper locations out-of-state — and how it’s going to be hard for the SoCal economy to absorb the loss of work.
And is NBC-Universal for sale or not? Who knows. They have been having a hard time, both on television (Knight Rider) and at the moviess (Land of the Lost). But what happens to the big affects even us small companies.
But look at total box office figures for the last few years. We’re on track this year to at least keep up with last year, if not surpass it. People are still spending money on entertainment.
With all of the bad things that are going on in the economy, it’s good to look at a few bright spots. When an economic shakeout happens, the competition in the market becomes fiercer, allowing strong companies to strengthen their position and weaker ones to be weeded out. Interestingly, it’s not always those that stay out of bankruptcy protection that are the safest. And sometimes, especially in the entertainment industry, it becomes hard to capitalize on a successful business — like British films.
A few quick links:
- My new friend Petrea from Pasadena Daily Photo did a series of pieces on our building in Old Town Pasadena last week. Interesting stuff, if you are into the history of old neighborhoods and buildings. Here are the three posts: 1, 2, 3, & 4.
- Homage or plagiarism? Lots of designers are up in arms about this website for a Republican candidate for governor, including Print‘s Daily Heller blog. Is it plagiarism? I don’t know. But the similarities to Obama’s well-designed site for his candidacy are striking…
- Copyblogger has a great little article about my favorite ad guy, Lloyd Ogilvie. Even though he wrote Ogilvie on Advertising decades ago, it still rings true for me as a marketer and graphic designer.
Happy Monday to you, wherever you are!
http://www.vimeo.com/4604196
Buddy Zapata is a good friend, a great collaborator, and one helluva musician. We took a few cameras over to Beantown in Sierra Madre, set up, and let Buddy play for a few hours. It was a magical evening. Not only have we filmed him, but
- Hearken Creative built the Buddy Zapata website,
- Mr. Zapata collaborated with Loren A. Roberts on The Fair Trade soundtrack, and
- we’re now working on some new material for the upcoming Buddy Zapata album.
Pretty cool? Yes, but even more so when your business colleagues become some great friends in the process.
See more Buddy Zapata music clips here!
Flickr Photos
