Loren A. Roberts shot the “hero” studio photography for the film’s key art
When coming to Hearken Creative, director Jon Leonoudakis knew the breadth of skills that were available from us: Jon has collaborated with us on two previous film projects — Not Exactly Cooperstown (camera) and The Day the World Series Stopped (camera, packaging, website). Jon’s passion for baseball is infectious, and we have found ourselves with a new respect for the game — even hitting up some major and minor league games recently! Jon’s professionalism and passion has paid off: both previous films have been recognized worldwide in film festivals (and Not Exactly Cooperstown has even been screened at the Baseball Hall of Fame).
We love working on projects like this: where quality and passion come together to make something truly unique. We congratulate Jon on his newest release, and look forward to the next project that we get to work on with him!
We’re slow to toot our own horn around here, mostly because we’re so busy with current projects. But I wanted to mention a new portfolio page on the site, even though we have been doing this for years: PHOTOGRAPHY.
We create iconic shots for our clients all the time. For instance, the image above is from Shakedown Mambo‘s CD packaging, which we designed (we also did their website!). The photo captures the energy of a recording session in progress perfectly, and feels like one of the iconic photos of 1970s jazz or rock bands.
We have also created one-of-a-kind architectural shots, like this one of the Los Angeles Maritime Museum. Multiple photographs from all hours of the day and night were composited to create this other-worldly image of their building. It’s a stunning image.
Event photography? Yes. Production shots for shows? Yes. Portraiture? Yes. Product photography? Of course. Check it all out on the photography portfolio pages. We will continue adding more photos to keep it fresh!
A while back, Christopher Min and I were asked to create a 10-year anniversary film for The Brehm Center for Worship, Theology, and the Arts at Fuller Theological Seminary. The film was to be shown at a gala reception honoring the founding donors for the Center, Bill & Dee Brehm. We wanted to show the rich diversity of graduates the program was raising over the course of the first decade.
Chris directed, and Loren Roberts/Hearken Creative provided all the equipment, shooting expertise, and editing for the final video.
The result was a smashing success at the event — one attendee said it was a “moving tribute” to the Brehms and the Center. The only issue we had was cutting down the incredible footage we got with the graduates. I think our first edit clocked in at almost 16 minutes; the final edit is a still-long (but beautiful) nine minutes.
HOW CAN WE HELP YOU?
We have done this kind of work for non-profit and for-profit companies time and again. How can we help your organization?
The Los Angeles Children’s Chorus asked me to create some short introductory videos on each of their choirs. Previously I had produced one for their First Experiences in Singing class [see my eailer post]. These new videos required many hours of filming rehearsals and concerts for all six choirs, as well as music theory classes. Then we interviewed all the different directors to get their take on each chorus. Finally, we edited each piece together, trying to give new parents and members of the ensemble a sense of each chorus’ identity. And we attempted to keep them all under four minutes.
I’m excited about how these will be used to further the educational and artistic mission of the L.A. Children’s Chorus.
In March 2011, Japan experienced one of the worst disasters in modern history: an earthquake and tsunami that ravaged the Northeastern coast of Japan. One year later, a team traveled to Japan to observe the relief work that Asian Access pastors were leading. Now, another year has passed, and we are able to report on work that has been done over the past two years. This is the first of several (hopefully) videos that report on the use of funds donated to earthquake/tsunami relief through Asian Access:
The team consisted of Loren A. Roberts from Hearken Creative on camera and editing, Joshua Clayton on camera, Jeff Johnston from Asian Access as producer, and Takeshi Takazawa as liaison, interpreter, and all-around wonderful travel leader.
Emily Lakdawalla, Mat Kaplan, and I arrived at JPL early this morning to do a couple of remote spots for Planetary Radio. With the exception of my camera needing repair (and the ensuing long drive down to Canon Repair in Irvine), it was a great shoot. And lots of fun to film at JPL…
We’re still working on the main piece — a longer video with lots of interviews in Japanese that need to be translated and subtitled in English for the North American viewers. But today (March 11) is the one-year anniversary of the earthquake and tsunami in NE Japan, so we rushed to get just a few videos posted to commemorate the horrors and to point towards the hope and vision that many Japanese pastors have for their country in the new reality that is Japan.
First up is a prayer from Mori Sensei, a pastor living 30 minutes away from the Fukushima Daiichi Nuclear Power Plant. His church wants to help rebuild an entire seaside community, hopefully relocating just a half-mile off the beach up into the hills, so that they can still have their livelihood, but be protected from the possibility of another tsunami:
The next video is a set of reflections from Eric Takamoto, an Asian Access missionary from the Kobe area who was one of the first responders up into the destroyed town of Ishinomaki. Eric’s family is going to relocate to Ishinomaki because they feel strongly that the rebuilding work is going to take time and committed effort, and they want to be part of that long-term process. Eric’s passion for the people he ministers to inspires me:
Both of these pieces were filmed in January 2012 as part of my one-week trip to NE Japan for Hearken Creative client Asian Access. I was accompanied on the trip by Asian Access’ VP for Communications Jeff Johnston, good friend and colleague Joshua Clayton, Asian Access’ VP for Strategic Engagement Takeshi Takazawa, as well as translation and hosting and friendship by Asian Access’ Jeffrey Sonnenberg (oh, and new friend Mike McKay from Cypress Church here in California was with us for part of the week).
Video was shot with A2’s Sony HD Handycam and my Canon EOS 7D, with color correction done in Final Cut Pro with additional color work by Red Giant’s Mojo. Audio was recorded through my Zoom H4N using Sennheiser G2 wireless mics and an Audio Technica AT897. All data cards (CF for video, SD for audio) were captured onsite and backed up to multiple G-Raid Mini hard drives for redundant transport back to the U.S.
We filmed this last week in West Covina. Joe (president of Asian Access) is so smooth on camera. We interviewed him for 45 minutes for another project, and then he did just a few takes of this quick “thank you” before I had to run to another shoot in Downtown L.A.
Great time. Good video, good audio. Great message.
Two quick video projects that I had the pleasure of working on over the last week.
First up was a quick web video post for the president of Asian Access. He wanted to say “thank you” to the many people who have already donated money to the relief efforts going on in northern Japan after the Sendai earthquake in March 2011. So I raced out to his office and filmed him:
TECHNICAL DETAILS: This was filmed with the Canon EOS 7D, using the “kit lens” — an 28-135mm. Sound was handled using a Zoom H4n with an Audio Technica AT897 microphone. Footage was transcoded to ProRes LT using the wonderful 5DtoRGB app with a command-line batch processor provided by French video production company NoSide. The whole thing was sync’d and edited in Final Cut Pro, and exported to H.264 via Compressor.
I did a 12-part videolog series with Nimbus and this same composer back in 2008, and they are back with a new composition that Nimbus will premiere. We’re in a rush, so there’s only one video, and I shot a rehearsal for a few hours this week, followed by a very brief interview. But the piece will be instrumental in advertising the concert:
TECHNICAL DETAILS: Much the same as the previous piece, except I used a host of lenses: a 50mm f1.4 prime (I used this a lot because the room was pretty dark, but I didn’t want to raise my ISO too much and get grainy footage), a Canon EF-S 18-55mm, and a Canon EF-S 55-250mm. Sound was captured 4-channel using the Zoom’s onboard mics plus the AT897 and a Sennheiser lav (but the interview was done with the AT897 — I love the sound of that mic compared to a lav).
All-in-all, a pretty busy but fun week of budget-conscious filmmaking. Every project that we do gets easier, more fun, and give us invaluable experience for the next one.
Today I’ll be taking my equipment and doing an outdoor photoshoot for a band I’m in (stills, not video). Can’t wait to share those…
Not That Funny is a movie that is shooting currently in Sierra Madre, CA. I am an associate producer on the show. What does that mean? Well, it can mean anything, but for me, what it has meant so far is
recording production sound for a week before our wonderful sound guy came on board
renting my Canon 7D camera, lights, hard drives, and other useful stuff to the production
managing the digital workflow for set-to-editor-to-director-to-post, as well as managing dailies
general help on-set and off-set
even some graphic design! (see the photo of a fake poster above)
maybe sound design.
The cast and crew is incredible. We are halfway through 25 days of shooting, followed by some additional pickups and various projects to get the film ready for completion. The editing process will take several months of massaging the footage to make it serve the story. Our hope is that it will get picked up for a few film festivals in early 2011, and then see theatrical distribution sometime during the year.