Blog, business, film/video, graphic design, photography, portfolio, post production for film and video

New indie movie released with HCS support

I did mention that we do movies, right? Hearken Creative supported the release of Hano! A Century In The Bleachers on so many different levels:

  • Loren A. Roberts shot some of the interviews for the film
  • HCS designed the e-commerce website for the film
  • HCS designed the DVD packaging and marketing graphics
  • Loren A. Roberts shot the “hero” studio photography for the film’s key art

HanoDoc-DVD-hero-box-final-733x1000When coming to Hearken Creative, director Jon Leonoudakis knew the breadth of skills that were available from us: Jon has collaborated with us on two previous film projects — Not Exactly Cooperstown (camera) and The Day the World Series Stopped (camera, packaging, website). Jon’s passion for baseball is infectious, and we have found ourselves with a new respect for the game — even hitting up some major and minor league games recently! Jon’s professionalism and passion has paid off: both previous films have been recognized worldwide in film festivals (and Not Exactly Cooperstown has even been screened at the Baseball Hall of Fame).

We love working on projects like this: where quality and passion come together to make something truly unique. We congratulate Jon on his newest release, and look forward to the next project that we get to work on with him!

Blog, film/video, Pasadena and local, portfolio, post production for film and video, sound

Six (yes, six) new videos released today

The Los Angeles Children’s Chorus asked me to create some short introductory videos on each of their choirs. Previously I had produced one for their First Experiences in Singing class [see my eailer post]. These new videos required many hours of filming rehearsals and concerts for all six choirs, as well as music theory classes. Then we interviewed all the different directors to get their take on each chorus. Finally, we edited each piece together, trying to give new parents and members of the ensemble a sense of each chorus’ identity. And we attempted to keep them all under four minutes.

chamber-screen

I’m excited about how these will be used to further the educational and artistic mission of the L.A. Children’s Chorus.

Preparatory Choir

Apprentice Choir

 Intermediate Choir

Concert Choir

Chamber Singers

Young Men’s Ensemble

 

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New video posted

In March 2011, Japan experienced one of the worst disasters in modern history: an earthquake and tsunami that ravaged the Northeastern coast of Japan. One year later, a team traveled to Japan to observe the relief work that Asian Access pastors were leading. Now, another year has passed, and we are able to report on work that has been done over the past two years. This is the first of several (hopefully) videos that report on the use of funds donated to earthquake/tsunami relief through Asian Access:

The team consisted of Loren A. Roberts from Hearken Creative on camera and editing, Joshua Clayton on camera, Jeff Johnston from Asian Access as producer, and Takeshi Takazawa as liaison, interpreter, and all-around wonderful travel leader.

Blog, business, film/video, post production for film and video, sound

Another new promotional video by HCS

My new band, Doobies Inc., walked into SIR Studios in mid-December to film and record a live demo. We tracked to ProTools and filmed 3 cameras (2 roving and 1 stationary). Then I took all of the tracks and footage back to my studio to mixdown and edit. For a one-night session, these came out really well, and we hope to get quite a bit of work from this promotional video.

I truly enjoy recording and filming live events. One of my favorites was Jennifer Robin’s CD release party for her album “The Bird and The Beatles” found here on YouTube:

I also have filmed live concert footage that will be found in the upcoming film “Praying the Hours” by Lauralee Farrer. These types of events are difficult to capture multitrack — so that one can mix the music later on — but ultimately exceptionally rewarding, because you get both the immediacy and thrill of the live event, as well as the incredible sound of a professionally mixed and produced recording.

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New promotional video from Hearken Creative

This piece was commissioned by the Los Angeles Children’s Chorus to promote one of their newest educational programs — First Experiences in Singing. We’re proud to be working with such wonderful organizations.

http://youtu.be/TacItRy0Gbs

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Another nice quick video for a client

We filmed this last week in West Covina. Joe (president of Asian Access) is so smooth on camera. We interviewed him for 45 minutes for another project, and then he did just a few takes of this quick “thank you” before I had to run to another shoot in Downtown L.A.

Great time. Good video, good audio. Great message.

Blog, business, film/video, post production for film and video, sound

Just returned from week-long trip filming in Japan

Building a new community center in Sendai

I just returned from a week-long trip filming relief and re-building work on the eastern coast of Japan. We traveled well over a thousand miles to capture stories of churches working amongst those who have been displaced by the March 2011 earthquake and tsunami. This trip was part of an ongoing video project for longtime client Asian Access. Previous trips with them have taken me to Sri Lanka (after the 2004 tsunami), Mongolia, Cambodia, and other countries throughout Asia.

Interviewing a pastor surrounded by donations for tsunami victims

Here’s a breakdown of our gear:

  • Sony Handycam
  • Canon EOS-7D with 4 batteries and 3 lenses (18-55mm, 55-200mm, and a 50mm fast lens)
  • Zoom H4N for audio recording
  • Sennheiser G2 wireless microphone
  • Audio-Technica AT897 shotgun microphone
  • Manfrotto tripods
  • Kessler-Crane Philip Bloom Pocket Dolly (4-ft. slider)
  • Lots of Compact Flash and SDHC cards
  • MacBookPro laptop
  • G-Raid Mini 750gb hard drive

Plots still being cleared right next to brand-new houses

I could have used more than one G-Raid. As it was, I had one set of captures on the laptop and one set on the G-Raid. I think I should have had both on separate external drives (I started to run out of space on the laptop’s internal drive).

The Kessler-Crane slider was great for getting really smooth motion for b-roll, and even during some of the interviews. I was worried that it was going to be a pain to carry around and get through security at airports, but it wasn’t (and it’s still under the weight restrictions, so bringing it along didn’t cost me any extra).

The water in some places has not sunk back to pre-tsunami levels

The rest of the team was Joshua Clayton, Jeff Johnston (of Asian Access), and Takeshi Takazawa (also of Asian Access). We were a good team — we have all worked together before — so we got a lot of footage and some great interviews.

One issue that came up very quickly was the challenge of language. I felt that we would honor the interview subjects best by conducting the entire interview in Japanese, and then figure out what they discussed later. I don’t understand Japanese, so I had to get a synopsis of the interview from Takeshi before determining what b-roll would be needed to tell the story for each interview. We’ll see how well that went as I cut the pieces together over the next week or so.

Joshua capturing a small shrine to honor those who died in the tsunami

But all in all a very productive trip. I was happy with the portability of my kit (both audio and video) and how well everything worked. Can’t wait to show you all the footage as it gets finished…

(photos by Joshua Clayton & Loren A. Roberts)

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New video projects

Two quick video projects that I had the pleasure of working on over the last week.

ASIAN ACCESS

First up was a quick web video post for the president of Asian Access. He wanted to say “thank you” to the many people who have already donated money to the relief efforts going on in northern Japan after the Sendai earthquake in March 2011. So I raced out to his office and filmed him:

TECHNICAL DETAILS: This was filmed with the Canon EOS 7D, using the “kit lens” — an 28-135mm. Sound was handled using a Zoom H4n with an Audio Technica AT897 microphone. Footage was transcoded to ProRes LT using the wonderful 5DtoRGB app with a command-line batch processor provided by French video production company NoSide. The whole thing was sync’d and edited in Final Cut Pro, and exported to H.264 via Compressor.

NIMBUS ENSEMBLE

I did a 12-part videolog series with Nimbus and this same composer back in 2008, and they are back with a new composition that Nimbus will premiere. We’re in a rush, so there’s only one video, and I shot a rehearsal for a few hours this week, followed by a very brief interview. But the piece will be instrumental in advertising the concert:

TECHNICAL DETAILS: Much the same as the previous piece, except I used a host of lenses: a 50mm f1.4 prime (I used this a lot because the room was pretty dark, but I didn’t want to raise my ISO too much and get grainy footage), a Canon EF-S 18-55mm, and a Canon EF-S 55-250mm. Sound was captured 4-channel using the Zoom’s onboard mics plus the AT897 and a Sennheiser lav (but the interview was done with the AT897 — I love the sound of that mic compared to a lav).

All-in-all, a pretty busy but fun week of budget-conscious filmmaking. Every project that we do gets easier, more fun, and give us invaluable experience for the next one.

Today I’ll be taking my equipment and doing an outdoor photoshoot for a band I’m in (stills, not video). Can’t wait to share those…

Blog, business, post production for film and video, sound

We solved another client’s problem; are you next?

Once again, HCS was able to come through with a fast and quick solution. The president of the organization had a busy schedule, and they wanted the video quickly; I ran out to the corporate headquarters to shoot this little clip. But we didn’t skimp on quality: the lighting was there, the Canon 7D was there, and we used a really nice Audio Technica shotgun microphone to capture audio. Brought it back to the office that evening, and had the footage delivered to the client the next day.

We want to continue to do fun stuff like this for our clients. Do you need some top-notch web video? Let us come and make your next project shine.