The Baseball Reliquary held its 21st annual Shrine of the Eternals induction ceremony on July 14, 2019 at the Pasadena Central Library, Pasadena, California. Honorees included the 2019 Hilda Award recipient Ralph Carhart, and the 2019 Tony Salin Memorial Award recipient Bob Busser. Chris Epting delivered the Keynote Address. The inductees were Billy Beane (accepted by Zak Basch), Lisa Fernandez, and J.R. Richard.
Two days later, Loren Roberts and Hearken Creative had already edited the entire event, and posted it to YouTube. Editing and posting quickly makes for better fan/user engagement, and the video has already been watched dozens of times in the past few weeks.
Do you need video (production and post-production) for your event or marketing campaign? Call us now.
We have a multi-year relationship with The Baseball Reliquary, a sort of “people’s Baseball Hall of Fame.” Not only do we film many of their events (such as the one below), we set up their YouTube channel and have begun populating it with archival footage that the Reliquary has provided to us. Pretty fun, right?
Check out the video, and enjoy some of most fantastic baseball music that you have ever heard, courtesy of 2018 inductee Nancy Faust!
I’ve made no bones about the fact that I love music. My entry into filmmaking came only after an internship at a North Hollywood recording studio brought my recording chops up, and then I used that skillset to start location recording, and then sound editing, picture editing, post production supe duties, and finally producing…but I digress.
I’ve been playing music since I was five years old. First piano and drums (orchestra percussionist for five years), then classical guitar for a while, then cello for a few years, voice lessons in high school, and on-the-job accompanist training in college. So it should come as no surprise that my current business has a soft spot for musicians.
What does that mean? Well, I still need to make money. But I can cut deals that benefit an artist or label because of my varied skillset. I can do your product packaging, but I can also work on your website and advertising. We can work on a music video, brilliant photography, and even do some recording. Later on I’ll show you a few examples.
But first: the newest project that I’m working on is with a fantastic San Antonio-based artist, Matt McCormack. Check out this guy’s amazing songwriting. We met through a friend, and I played onstage with him a few months ago when he traveled to L.A. at Genghis Cohen (fantastic venue, and fantastic restaurant too).
So when Matt asked me to add some keyboard parts to his new recording project, we embarked on a long-distance back-and-forth to find the right sounds for these new songs. Here are the first two:
I’m really excited about the collaboration, and I hope to be onstage with Matt again sometime soon.
Check out this amazing 70s-style photo from a recording session with Shakedown Mambo:
…and the photo that ended up on the back cover of their most recent album:
I did a rather long blog post on the creation of the CD packaging for T-Lou, a Zydeco/accordion artist here in L.A., but there are a few other recent additions. These are varied, but fantastic:
(notice that I started with photography and moved to doing Shakedown Mambo’s packaging?)
(Buddy Zapata is also the guy who introduced me to Matt McCormack…)
Avery Roberts (my son!)(see the above CD cover) needed some demos recorded. Those demos turned into a self-published album entitled “Where Nothing Can Hurt Me“.
The aforementioned keyboard tracks for Matt McCormack’s new album were recorded in my studio, and then added to the mix by Matt’s amazing production team in San Antonio — an engineer, mixer, and mastering engineer.
Check out my “audio” page for more examples of my experience working as a composer, engineer, and producer.
All of these videos were shot and produced by Hearken Creative:
I was a founding member (keyboards again) of a Doobie Brothers tribute band, and developed an “homage” logo for that band:
As you can see, we are a one-stop shop for marketing musical acts. Does this limit us? No! We are still working on communications and marketing for pharmaceutical companies, nonprofits, colleges, museums, and more. But it’s fun to look at one market segment, and see how much incredibly fun material we have produced.
(The blog post title is from 2003’s movie “School of Rock”…)
It’s always fun seeing the fruition of months of work. We get to do it every quarter, with The Planetary Society’s magazine The Planetary Report. Because I am a stickler for details and always want to see projects through to the very end, I spend a day in Orange County at the printshop doing press checks and ensuring that each magazine prints perfectly. (They print over 50,000 copies of the magazine, on a big web press. It’s a fun process to watch.)
This type of work is not what most people think of when they hire a creative director or marketing manager, but quality counts. My aim is to make every project we produce a home-run for the client. It’s all about matching the right message with the right media — be it a website, or magazine, or brochure, or e-mail blast.
Over the next few weeks we will have a new website launch to feature, some more video projects, and more! Stay tuned…
We keep pressing forward on many projects simultaneously. The newest video clip is the first of a series that we recorded and filmed in my studio for singer/songwriter Kendra Celise.
Kendra sent a few sample YouTube videos so we could get a feel for what she wanted, and we spent the better part of a day filming her performances. A new camera — the Sony PXW-W70 — was used for this shoot, as well as some of our amazing Michael Joly-modified microphones. The camera was mounted on a mini-jib so that we could move around smoothly throughout the song.
The rest of the videos will drop over the coming weeks. We had fun on this project, and believe the final product will help Kendra market her new EP successfully. Congrats to Kendra!
This past year has been filled with learning experiences, great projects for new clients, and a host of milestones. We’re looking forward to an even more exciting 2016, and can’t wait to show you what is coming through the pipeline at Hearken Creative. But for now,
In July Hearken Creative was asked to film a very special event for the Baseball Reliquary at the Pasadena Public Library. Assisted on second camera by Jordan McMahon, we filmed the 2+ hour event, and edited the piece for posting to the Pasadena Public Library’s website.
Most important for this event was capturing perfect audio or each of the speakers. Some of them are elderly, and we needed to be able to understand every word that was said. A combination of HCS’s own microphones on the podium ensured that we would get perfect audio from every distinguished speaker, including members of the Jackie and Mack Robinson family (who were there to accept on behalf of Rachel Robinson for her induction into the Reliquary’s “Shrine of the Eternals”).
We had a great time, met some fun people, and turned this into a living document that will be used by the Reliquary for years to come.
A while back, Christopher Min and I were asked to create a 10-year anniversary film for The Brehm Center for Worship, Theology, and the Arts at Fuller Theological Seminary. The film was to be shown at a gala reception honoring the founding donors for the Center, Bill & Dee Brehm. We wanted to show the rich diversity of graduates the program was raising over the course of the first decade.
Chris directed, and Loren Roberts/Hearken Creative provided all the equipment, shooting expertise, and editing for the final video.
The result was a smashing success at the event — one attendee said it was a “moving tribute” to the Brehms and the Center. The only issue we had was cutting down the incredible footage we got with the graduates. I think our first edit clocked in at almost 16 minutes; the final edit is a still-long (but beautiful) nine minutes.
HOW CAN WE HELP YOU?
We have done this kind of work for non-profit and for-profit companies time and again. How can we help your organization?
The Los Angeles Children’s Chorus asked me to create some short introductory videos on each of their choirs. Previously I had produced one for their First Experiences in Singing class [see my eailer post]. These new videos required many hours of filming rehearsals and concerts for all six choirs, as well as music theory classes. Then we interviewed all the different directors to get their take on each chorus. Finally, we edited each piece together, trying to give new parents and members of the ensemble a sense of each chorus’ identity. And we attempted to keep them all under four minutes.
I’m excited about how these will be used to further the educational and artistic mission of the L.A. Children’s Chorus.