Okay, so HCS has a bunch of Sennheiser and Shure wireless mic systems, like the awesome G2 series from Sennheiser. But the problem is that the wire that these manufacturers use is shoddy, and usually the mics are destroyed after just one run of performances. (They work better for ENG-style work — which is what I do most of the time — because the cable doesn’t get jostled around as much.) So I’m trying to figure out how to purchase or build my own mics for stage uses.
And then I found this awesome company called CPC in the UK (courtesy of the Blue Room stage discussion board), and they have cheapie replacement microphones, both the lav kind and the headworn kind. But I am not sure if they can ship cheaply to the U.S.; so, I am looking for a U.S. company that can supply these mics, or something comparable. I’m even willing to solder my own connectors onto them, to save even more money.
The reason that this came up is that I was doing sound design for the Pasadena Summer Musical Theater production for a few weeks earlier this summer. The body mics got a real workout, going on and off multiple children each day for rehearsals and performances. Several mics didn’t make it through the two week run, and the culprit was always the juncture where the cable meets the connector. So I was thinking that it might be good to make my own, or find a new microphone/cable combination that will be able to withstand the rigors of stage performances.
I have an e-mail out to CPC in the U.K., but I am willing to entertain any options — either here or overseas — that can help me replace or build newer and better mics for the Sennheiser or Shure systems.